Inimitable musician, inventor and all-round polymath – THOMAS TRUAX – will return in 2018 with a brand new album: ‚ÄėAll That Heaven Allows‚Äô.

Set for release via his own Psycho Teddy imprint on 2nd February 2018, the ninth full-length LP from the American songwriter finds him anything but settled.

After five years based in Germany, Truax began 2017 in the US, but left again the day after Trump was sworn into office in January. He has rarely stopped to look back from thereon. He got married in March (in Gibraltar) and relocated to the UK shortly thereafter, with a steady stream of tour dates and recording sessions always on his agenda.  Along the way, he always kept an eye on the news, an ear to the ground, and a notebook in pocket.
The result of these travels is ‚ÄėAll That Heaven Allows‚Äô – ten new tracks of¬†surreal Americana¬†and sonic adventure. With songs littered with trains, flying machines, dreams, romance, shootings, hurricanes, migrants, ‘bad leaders,’ an unfortunate spider, escape, transcendence, alligator shoes and more solid advice from the recurring comforting presence of Thomas’s Granny; Truax‚Äôs latest long player is a celebration of life and sound and a search for meaning and hope in troubled, dangerous times.
Given the Global context in which this album was written, it is perhaps no coincidence ‚ÄėAll That Heaven Allows‚Äô also shares its title with¬†Douglas Sirk‘s classic 1955 film of the same name. The tale of a middle-aged widow who falls for a younger man of a lower class, Sirk‚Äôs film is set in an American community that appears¬†postcard-perfect on the surface, a modern heaven-on-earth, but underneath resents and ultimately ostracizes those who do not conform to its¬†strict ideas of propriety.
Giving insight into the ideology that informed his latest album, Truax reveals:
“There are a lot of flying references in this album. In Freudian dream interpretation, you fly in your dreams when you feel pinned down or trapped in your waking life. A lot is happening in this modern world that is so despicable and overwhelming. Because of technology we can be spectators of all of it all at once, and it may be more than we are capable of ingesting. Our fight-or-flight mechanisms are doing overtime, and I see it in my friends and in myself that this can be psychologically paralyzing. We need to dream and escape to maintain our sanity, but we also can’t ignore the very real problems that may be the death of us if we don’t do whatever we can to try to help solve them. The pursuit of balance between those fights and flights is an underlying theme with this album.”

While the new album was very much written against an ever changing backdrop, in terms of recording process there was of course always one constant: him. Something of a one-man-band and loop-pedal virtuoso, as ever most of the instruments and vocals on ‚ÄėAll That Heaven Allows‚Äô were laid down by Thomas himself.

However, always one for collaboration when the occasion arises, various tracks on the record are enlivened by a number of old friends and former collaborators. Drummer Brian Viglione (Dresden Dolls, Nine Inch Nails, Violent Femmes), cellist Pete Harvey (Modern Stories/Withered Hand), Paul Wallfisch (Swans/Firewater) and James Smith (Post War Glamour Girls), all appear throughout the record to offer their invaluable contributions.

As many will have heard already, on his latest album Truax also teams up with the singular Basildon-born/Berlin-based talent¬†Gemma Ray¬†for the heart-stopping duet:¬†Save Me’.¬†The lead single for album, the track has already garnered national radio support from the likes of¬†Radcliffe/Maconie¬†and¬†Gideon Coe¬†on¬†BBC 6Music.

Standby for further new music to emerge in the run up to the album next year.


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As¬†BBC6¬†DJ/rocker¬†Tom Robinson¬†once noted, Thomas Truax has always led “what you’d have to describe as a deliberately maverick career‚ÄĚ.

Following a history as a stop-frame animator on shows like MTV’s¬†Celebrity Deathmatch¬†and¬†Robot Chicken, and the trials and errors of a series of bands in the US, Thomas Truax first began to attract attention in New York’s City’s lower East side singer-songwriter scene in the early 2000s.¬† With his first ‘solo’ album¬†Full Moon Over Wowtown¬†(RealTime2004) he introduced us to an inspired combination of evocative song craft,¬† a ‘band’ of self-made (sometimes mechanical) instruments, and a guitar named Hank, all interwoven with stories from a fantastical world called Wowtown.

Numerous singles, compilation appearances and eight other albums have followed on various labels including¬†SL Records,¬†Homesleep,¬†Blang¬†and¬†Come Play With Me. Among these releases are an original score for a major German stage production of¬†‚ÄėPeer Gynt‚Äô¬†(by award-winning director¬†Kay Voges), and ‚Äď inspired by a meeting with director¬†David Lynch¬†‚Äď a highly-rated covers album¬†¬†Songs From The Films Of David Lynch.
Thomas has played over a thousand live shows.
Notable supporters and collaborators include Jarvis Cocker,  Duke Special,  Richard Hawley,  Bob Log III,  Amanda Palmer and Brian Viglione of the Dresden Dolls, and the late author Terry Pratchett.

“Like a trip to the frayed edges of sanity, unapologetically original.”¬†-Dazed¬†

“There’s always a feeling you’re listening to something different, sometimes knowingly funny, and something very, very special.”¬†¬† ¬† ¬† -Drowned In Sound
“Inventive and romantic.”‚ÄďTimeOut¬† ¬† ¬† ¬† ¬†
“He’s a serious proposition.”¬†‚ÄďQ

“When it comes to sheer creativity, there is no one quite like Thomas Truax”¬†-Oxford Times

“Beguilingly Bizarre. Truax is shaping up nicely as one of the great rock eccentrics”¬†- Uncut¬†

“A joy to listen to, one feels the love and the pleasure that self-evidently went into every note.”¬†¬†-¬†The Quietus

“Like a trip to the frayed edges of sanity, unapologetically original.‚Ä̬†- Dazed